Personal statement

Rachel Withers is an art writer and co-founder of PRAKSIS, an Oslo-based international arts and culture incubator that focuses on artistic and cultural development through shared experience. She studied History of Art at the Courtauld Institute and Critical Fine Art Practice at Central St Martin’s School of Art and Design.

Withers’s writing on contemporary art has been published in a wide variety of mainstream and art-specialist contexts. A frequent contributor to Artforum International for twenty years, she has also written for NewStatesman, The Guardian, Frieze, Burlington Contemporary and the Nordic daily, Aftonbladet. She has scripted catalogue essays for art institutions internationally, including a 6,000-word experimental “interview” with Mike Nelson commissioned for the British Pavilion catalogue at the 2011 Venice Biennale, numerous texts on the Swiss artist Roman Signer, and key essays on the works of João Penalva, Susan Hiller, and La Ribot.

Recent projects include a French-to-English translation of scholarly writing on Hubert Duprat. She has served on the panels of various international art prizes, including the Max Mara Prize for Women, 2007-9, and the International Award for Art Criticism, 2014. Between 2003 and 2013 Withers served on the Board of Matt’s Gallery, London. She is currently a trustee of the Gane Trust.

PRAKSIS

As co-founder of Oslo-based arts and culture incubator PRAKSIS, Withers supports director Nicholas John Jones in planning the organisation’s international residencies and future programmes. She also co-edits its book publications, supports its website and communications, and co-edits and introduces PRAKSIS Presents, an online showcase for work by PRAKSIS alumni.

She lends PRAKSIS her expertise as Ethics Lead in Bath Spa's School of Art, Film and Media, and advocates for the organisation, including its Teen Advisory Board and PRAKSIS Development Forum strands.

In 2019, she led a month-long Oslo-based PRAKSIS residency, delivering a seven-part seminar exploring the diverse art-world histories and applications of the “residency” construct. She continues to research and reflect on this often under-reported keystone area in the international art world.

Library of Marvels

In 2012 Withers was awarded a Brown Foundation Fellowship at the Maison Dora Maar in Provence to develop an art installation based on the contents of Roman Signer’s library. The first outcome of this research was the exhibition Roman Signer’s Library of Marvels (Fast Version), exhibited in Spring 2015 at the Rose Lipman Building in London N1, UK. In 2021, The Library of Marvels (Expanded Version) was shown in the Vadiana Library in Signer’s home town of St Gallen, Switzerland and in Hamburg, Germany. Future incarnations and adaptations of the Library of Marvels, including its archive of hundreds of digital images, are in plan.

Professional memberships

  • Trustee, Gane Trust

Teaching specialism

  • The history of art, with a focus on art practice since 1980
  • Representations of time, history and narrative in contemporary art
  • Contemporary art's examinations of the museum, the archive, hermeticism, intertextuality and obsolete, "outsider" or marginalised knowledge systems
  • Art criticism and art writing; experiments in art writing.

Research and academic outputs

Go to ResearchSPAce

How do we know? Institutional listening and young agency in the arts
book

Teen Advisory Board, Index, Teen Advisory Board, PRAKSIS and Withers, R, eds. (2023) How do we know? Institutional listening and young agency in the arts. Die Keure, Bruges. ISBN 9788230358801


Don't rest, narrate
book

Jones, N.J and Withers, R, eds. (2020) Don't rest, narrate. Torpedo Press, Oslo, Norway. ISBN 978­82­93104­26­1


Bringing things down to Earth
book_section

Withers, R (2016) 'Bringing things down to Earth.' In: Giusti, L, ed. Roman Signer : a step towards the sea = un passo verso il mare. Humboldt Books, Milan, pp. 121-135. ISBN 9788899385132


Cámara-ojo-cuerpo-visorio-espacio-choreography complex: La Ribot's exquisite corps opérateur = The camera-eye-body-vision-space-choreography complex: La Ribot’s exquisite corps opérateur
book_section

Withers, R (2016) 'Cámara-ojo-cuerpo-visorio-espacio-choreography complex: La Ribot's exquisite corps opérateur = The camera-eye-body-vision-space-choreography complex: La Ribot’s exquisite corps opérateur.' In: La Ribot: un brazo de menos, un ojo de más. Centro Parraga, Murcia, pp. 12-30. ISBN 9788415556350


Slow movement
book_section

Withers, R (2015) 'Slow movement.' In: Roman Signer: slow movement. Ridinghouse, London, pp. 13-19. ISBN 9781909932081


Why talk to artists?
book_section

Withers, R (2015) 'Why talk to artists?' In: Jones, N.J and Liotchev, I, eds. COLLABORATE! JKL Books, London.


A matter of life and death
book_section

Withers, R (2015) 'A matter of life and death.' In: Neudecker, M, Lambert, S and McClean, V, eds. Plastic vanitas: Mariele Neudecker. text + work, Bournemouth, pp. 22-28. ISBN 9780901196675


Alice Channer
article

Withers, R and Channer, A (2024) 'Alice Channer.' Burlington Contemporary, 22 Feb. ISSN 2631-5661


By dint of repetition: on the lasting legacy of artist and educator Monica Ross
article

Withers, R (2014) 'By dint of repetition: on the lasting legacy of artist and educator Monica Ross.' Art and Christianity, 77. pp. 2-5. ISSN 1746-6229


Roman Signer's Library of Marvels (2015, 2020) [REF2021 collection]
artefact

Withers, R (2021) Roman Signer's Library of Marvels (2015, 2020) [REF2021 collection].


Roman Signer's Library of Marvels
exhibition

Withers, R (2015) Roman Signer's Library of Marvels. The Rose Lipman Building, London, UK, 4 March - 31 May 2015.


Pilvi Takala: On Discomfort [exhibition review]
other

Withers, R (2023) Pilvi Takala: On Discomfort [exhibition review]. Burlington Contemporary. ISSN 2631-5661


Mike Nelson: Extinction Beckons [exhibition review]
other

Withers, R (2023) Mike Nelson: Extinction Beckons [exhibition review]. Burlington Contemporary. ISSN 2631-5661


Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay]
other

Withers, R (2016) Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay].


Michael Stevenson, Carl Freedman Gallery [exhibition review]
other

Withers, R (2016) Michael Stevenson, Carl Freedman Gallery [exhibition review]. Artforum, 55 (1). p. 371. ISSN 0004-3532