Lee Scott is Subject Leader of Creative Computing at Bath Spa University and a creative researcher with a specialism in digital opera. His work is transdisciplinary in nature, combining songwriting, animation, games, and performance art with computer science and software development.
Lee's research examines the collision between opera and digital media, and he is approaching completion of a PhD in this context. Contributing works include The Village (Scott 2015), a participatory opera for the web that evolves across 5 weekly episodes, and The Imaginary Voyage (Hugill, Scott, Lawrence 2013), an interactive online work developed during an sKTP with The Opera Group that exploits principles of the semantic web to guide the user through a repository of audio and visual materials. His current project, Fragments, extends opera into locative media and gaming, and considers film and headphone targeted music/sound design as a way of situating the player in a fictional past.
- MA Birmingham City University
- BSc(Hons) Birmingham City University
- CertGSMD(P) Guildhall School of Music and Drama
Technical skill set
Other external roles
- Reviewer, International Journal of Creative Computing (Inderscience)
- Link Tutor, Future College, United Arab Emirates
- Contributor, The Conversation:
Teaching at undergraduate and masters level is focused largely on the creative application of digital technologies to drive artistic, social and cultural development.
Supervisory and lecturing work covers the fundamentals of computer science, programming, interactive digital media, emerging technologies, web and mobile app development, digital culture and practice, and physical computing.
- Opera for digital media
- ASMR and music (composition and notation)
- Locative storytelling
Research and academic outputs
Hugill, A and Scott, L (2013) 'The Imaginary Voyage: an online opera.' Digital Creativity, 24 (3). pp. 268-273. ISSN 1462-6268
Scott, L (2017) Fragments. In: We Make Stuff: Digital Materialities and Digital Storytelling Workshop, 28 June 2017, Burdall's Yard, Bath, UK.
The mediated voice: Autonomous Sensory Meridian Response (ASMR) as a new mode of operatic expression
Scott, L (2016) The mediated voice: Autonomous Sensory Meridian Response (ASMR) as a new mode of operatic expression. In: Performance Studies Network: Fourth International Conference, 14 -17 July 2016, Bath Spa University, Bath, UK.
Scott, L (2013) Secret Garden: an interactive iPad opera/ballet. In: Posthumanist Desire International Symposium, 23-24 November 2013, Museum of Contemporary Art, Taipei, Taiwan.
Scott, L (2012) Digital opera: a roadmap to research. In: Interface2012, 28-30 May 2012, Birmingham Institute of Art and Design.
Makiola, I and Scott, L (2010) Drawing sound: sonifying the page. In: JISC Dev8D Developer Day, 24-27 February 2010, University of London Union.
Scott, L (2016) Digital journeys. In: Swindon175, STEAM Museum of the Great Western Railway, 11 February 2016. [Exhibition]
Butterworth, W and Scott, L (2015) Float a lotus. In: Chelsea Fringe, London, UK, 16 May - 7 June 2015. [Exhibition]
Scott, L, Makiola, I, Zhao, J, Wang, S and Sporton, G (2010) The watertower. Selly Oak Hospital, 23 -25 May 2010. [Exhibition]
Scott, L and Magruder, M.T (2010) Changing rooms v1.0: the prisoner. In: Changing Rooms v1.0, Eastside Projects, Birmingham, 23 November 2009 - 24 January 2010. [Exhibition]
Scott, L (2010) Prélude à l'après-midi d'un faune. In: Birmingham Institute of Art of Design MA Showcase, VIVID, Birmingham, 20 September 2010. [Performance]
Scott, L and Richard, C (2015) Creative researcher merges ASMR with opera [blog interview]. ASMR University Blog.
Scott, L (2015) The village: a web opera.
Scott, L (2013) The Soundhouse: a steampunk-inspired sound-spewing music-remixing machine.
Hugill, A, Scott, L and Lawrence, J (2013) The imaginary voyage.